Can you tell us a bit about your film and how the idea came about?

My film, ‘Middle Ocoee Rafting with Eric’, is a featured installment in a web series that chronicles a series of rafting adventures on the Ocoee River over several years.
The Ocoee River is divided into two distinct sections: the Middle Ocoee, which spans 5 miles, and the Upper Ocoee, also known as the Olympic section, extending up to 10 miles. The river’s rapids range from Class IV to Class I, offering a diverse and exhilarating experience for rafters.

 

What was your main goal in making this film?

Initially, my intention wasn’t to produce a film; my sole desire was to revel in the joy and excitement of rafting.
However, as time went on and an injury occurred during one of my trips, it sparked a transformative idea. This led to the creation of a web series that not only captures the essence of adventure but also enriches it with intriguing details. It delves into the number of rapids in the Middle Ocoee River section, identifies the most perilous rapids, and uncovers various other fascinating aspects of the experience.

How would you describe your filmmaking style?

My film, ‘Middle Ocoee Rafting with Eric’, represents an experimental foray into filmmaking and marks one of my initial ventures into the medium. My approach diverges from the conventional; it begins as a nascent idea on a piece of paper and evolves through the stages of scriptwriting, casting, and editing, culminating in the delivery of the final cut to a streaming platform. In essence, it’s about the art of filmmaking—transforming the intangible into a tangible cinematic experience.

 

Who are some of your cinematic influences?

I draw significant inspiration from directors like Robert Rodriguez, who crafted his debut film, ‘El Mariachi,’ with minimal resources. Having watched the movie multiple times, I’m captivated by its exceptional storytelling and the remarkable cinematic journey it presents. Rodriguez’s book, ‘Rebel Without a Crew,’ resonates deeply with me, reflecting my own experiences as an indie filmmaker. Much like Rodriguez, I often find myself as a ‘one-person camera’ crew, embodying the spirit of independent cinema.
 

What does it mean to you to participate in a festival focused on independent filmmakers?
I aspire to join a competition that celebrates the diverse talents of independent filmmakers. It’s in this arena where true creativity flourishes, unfettered by the constraints of mainstream cinema. Winning a trophy or ribbon would not only be an honor but also a testament to the innovative spirit that drives indie creators like myself.

 

What do you hope the audience will take away from your film after seeing it at the festival?

It’s a fascinating realization that my film, ‘Middle Ocoee Rafting with Eric,’ was initially a personal project; I never imagined it would capture the interest of an audience. This experience has taught me that any idea, no matter how simple or complex, has the potential to be transformed into a film. While the financial success of such a film is uncertain, the true value lies in the act of creation itself.
 

What has been the most rewarding aspect of working on this project?

The most gratifying part of my filmmaking journey is the freedom that comes from not being confined to a traditional plot. This liberating approach allowed me to weave together disparate footage into a cohesive final cut, showcasing the power of creative editing.
 

What are some of your all-time favorite films?

I have a diverse portfolio of films, among which ‘John Carter’ (2012) stands out. The film chronicles the unexpected journey of Civil War veteran John Carter (portrayed by Taylor Kitsch), who finds himself inexplicably transported to Mars referred to as Barsoom. There, he encounters a world brimming with adventure and mystery.

The character development is particularly captivating, and it’s this aspect that resonates with me deeply. I am inspired by such storytelling and character arcs, and I harbor the ambition to one day craft a film that mirrors the ingenuity and depth found in ‘John Carter’. The film’s narrative holds a reflective quality that reminds me of my own life’s adventures and dreams

 

Do you have a favorite film genre in particular?

I am passionate about exploring various film genres, though I have a particular affinity for comedy, documentary, fantasy, and science fiction. My latest script delves into a fantastical realm where gigantic snakes and alligators glide through the waters, while majestic eagles soar across the skies, and mermaids frolic in the river’s depths. It’s my aspiration to one day possess the filmmaking prowess to bring this vision to life.

Furthermore, I am drawn to crafting love dramas with unexpected twists that leave the audience on the edge of their seats. I aim to create stories that provoke viewers to question the unfolding events, igniting a desire for more. This marks a departure from my previous projects, where I realized I was creating films primarily for myself rather than for an audience. Moving forward, my focus is on developing character-driven narratives that blend humor with the whimsical elements of fantasy and the intricate dynamics of romantic drama.
 

What do you think is the role of independent cinema in today's film industry?

Independent cinema plays a pivotal role in today’s world by empowering a diverse array of individuals to bring a multitude of projects to life projects that might never see the light of day within the confines of traditional studios.
It is within this realm of independent film creation that the essence of creativity truly thrives.
 

What is your next film project?

I am currently developing a long-term film project titled ‘The Reporter Chronicles by Peter Boiadzhieff.’ It features a dynamic reporter who, armed with a camera and microphone, delves into the world of bizarre and fascinating news stories.
 

Any advice for aspiring independent filmmakers?
From my personal journey, I’ve learned that creating a film doesn’t necessarily require a hefty budget. It’s about resourcefulness—securing just enough funds to bring on board a dedicated cast and crew. For those embarking on their first project, consider starting small with a script for two characters and explore the process.
There’s a saying that resonates with me: the best way to craft your feature film is to embrace the challenge of a zero budget.